Three-point perspective looks quite similar to two-point perspective; therefore, we invite you to review the previous blog post if the concepts are a bit fuzzy. In this view, there are three orthogonal lines that radiate out to three vanishing points; hence, the name. The concepts are the same as two-point, but the third vanishing point is either placed above or below the horizon line.
If the third vanishing point is above the horizon line, we have a top-down view of the object or building (i.e., drone footage). An example of an interior three-point perspective shot is a top-down, surveillance camera shot.
Conversely, if we place it below the horizon line, we are tilting our camera up at the object. This can add even more depth to any building establishing shot or make any object look more or less formidable - simply by tilting the camera. The classic example includes tilting the lens up at an actor (usually in a medium or tighter shot) to make him or her look more powerful or authoritative. Tilting the camera down has the opposite effect and can belittle the character. This is the power of three-point perspective!
There are additional perspectives, such as four-point (similar to a panoramic or 360-degree view) and five-point (e.g., a fish eye lens) perspective. With the exception of one-point perspective, these concepts are most often found in drawing and art books, which emphasizes the need for filmmakers to look at all art to improve their skills. We hope you enjoyed this series.
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